Poems Published

PUBLICATIONS, POETRY (updated to 06.2016)

In Anthologies 

Poetry in Out of Everywhere 2: Linguistically Innovative Poetry by Women in North America and the UK. ed. Emily Critchley. London: Reality Street Editions, 2015: 96-105.

“Six Pieces.” Visual Text work. UNION. 15 Years of Drunken Boat / 50 Years of Writing from Singapore. ed Alvin Pang and Ravi Shankar. Singapore: Ethos Books [Drunken Boat], 2015:  132-137.

“Draft 98: Canzone” and “Driven To Torque Texts: Appropriation and Dante.” “I’ll Drown My Book:” Conceptual Writing by Women. Laynie Browne, Vanessa Place, Caroline Bergvall, eds. Los Angeles: Les Figues Press, 2012: 340-347.

Two Poems in The Ecopoetry Anthology. Ann Fisher-Wirth and Laura-Gray

Street, eds. San Antonio, TX: Trinity University Press, 2013: 235-239.

“Nessie.” Poems from the Women’s Movement, ed. Honor Moore. N.Y.: The Library of America, 2009: 185.

Twelve sonnets and “sonnets” from “Draft, unnumbered: Précis,” The Reality Street Book of Sonnets. Jeff Hilson, ed. Hastings, East Sussex: Reality Street Editions, 2008, 84-88.

Selections from “Crowbar,” from “Writing,” from “Draft 52: Midrash,” and “Draft 27: Athwart” along with an interview with RBD. In Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Ed. Elisabeth A. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2006: 93-120.

“Draft 48: Being Astonished.” “We Who ‘Love to Be Astonished’”: Experimental Women’s Writing and Performance Poetics, eds. Laura Hinton and Cynthia Hogue.  Tuscaloosa: The University of Alabama Press, 2001: 237-254.

“Draft 2: She” along with a selection of short poems from Tabula Rosa, in Not for Mothers Only: Contemporary Poems on Child-Getting and Child Rearing. Ed. Catherine Wagner and Rebecca Wolff. NY: Fence Books, 2007: 177-188.

“Bozza 17; Senza nome” [translation of Draft 17: Unnamed], trans. Renata Morresi and “Bozza 36: Centone” [translation of Draft 36: Cento], trans. Sauro Fabi. Incontri transnazionali: Modernità, poesia, sperimentazione, polilinguismo, ed. Marina Camboni e Renata Morresi. Conference proceedings, Università di Macerata. Florence: Le Monnier, 2005: 228-247.

“Selvedge” and a section of “Writing” from Tabula Rosa (1987), “O” from “Draft X:  Letters,” “Draft 5:  Gap” and a selection from “Otherhow” from The Pink Guitar, in Moving Borders:  Three Decades of Innovative Writing by Women, ed. Mary Margaret Sloan.  Jersey City:  Talisman House Press, 1998: 332?341 and 580?592.

 

Poetry publications post-Drafts (from Traces, Numbers, Days and Works, Interstices, Graphic Novella, POESIS)

“Vie Quotidienne,” translation of Traces 4: “Everyday life.” Published first in French as translated by J-P. Auxeméry for K•O•S•H•K•O•N•O•N•G• ed. Jean Daive. forthcoming 2017.

“5 plus PS.” Golden Handcuffs Review 22 (2016): 65-75. from Graphic Novella.

“Traces 6: Quality time.” Cordite Poetry Review 33: The End (2016). http://cordite.org.au/

“Useful Knots and How to Tie Them.” Conjunctions 66 (Affinity. The Friendship Issue, 2016): 53-61.

“Carta 4. [Letter 4],” translated into Spanish by Rodrigo Olavarria.  7 (from Santiago, Chile), 2016, [5-6]. With the English, from Interstices.

Two poems from Eurydics, “What did you expect? this entrance  … ” and

“If it’s not coherent, why is it important” X-Peri  website 2016.
http://x-peri.blogspot.com/2016/02/rachel-blau-duplessis-excerpts-from.html

Six poems and collages from Numbers. The 4th Room, Proverbs; The commutative; Yan Tan; Dark Matter; And the universe. pp 35-47 Seedings, issue 1 (2016).
http://www.durationpress.com/projects/seedings/seedings/

“Traces 5: Day.” ATTN: July 31, 2015. An event-based journal from Further Other Book Works.

“Traces 1: Per Se.” Journal of Poetics Research 3. September 2015.      http://poeticsresearch.com/?article=rachel-blau-duplessis-per-se

“POESIS.” VLAK 5 (2015): 329-349.

Eleven poems from Eurydics. Lute & Drum, issue 4, December 2015.
http://issue4.luteanddrum.com/#duplessis/

“Six Pieces.” Visual Text work. UNION. 15 Years of Drunken Boat / 50 Years of Writing from Singapore. ed Alvin Pang and Ravi Shankar. Singapore: Ethos Books [Drunken Boat], 2015:  132-137.

“Pages from Days and Works.” Conjunctions 63: Speaking Volumes, Fall 2014:  315-325.

Six poems from Eurydics. The Trinity Review 126 (April 2014): 53-59.

One poem from Eurydics: “Holding the mirror”
http://halvard-johnson.blogspot.it/2014/11/rachel-blau-duplessis.html

from Graphic Novella. Seneca Review (Fall/Spring 2013-14).

Churning the Ocean of Milk (a collage poem, 2014) Alligatorzine. http://www.alligatorzine.be/pages/151/zine160.html

“Dear R” from Interstices, 2014.
http://www.dusie.blogspot.ca/2014/04/tuesday-poem-54-rachel-blau-duplessis.html

Letter 5 and Letter 8 from Interstices appeared in all-woman’s section of Talisman online (http://www.talismanmag.net/) in December 2013.

Ledger 1, Letter 1, Ledger 14, Letter 15, Ledger 15, Letter 16 appear in the “Heir Apparent” section of The Volta, March 2014. thevolta.org.

Poems from Interstices and Drafts, trans. Auxeméry. Po&Sie 48 (2014): 14-24.

 

Full references for all poems from Drafts in periodicals (as of 06/2016).

“Draft 113: Index.” Poetry Project Newsletter #232. Oct.-Nov. 2012: 10-14.

“Draft 112: Verge.” Alligatorzine, Kurt Devrese, ed. June 2012. www.alligatorzine.be/pages/101/zine131.html

“Draft 111: Arte Povera” Feminist Studies 38.3 (Fall 2012).

Translations of “Draft 111: Arte Povera” into French, Italian and Flemish, with the original English http://www.alligatorzine.be/pages/zine.html as numbers 145, 146, 147, 148. Translations by J-P Auxeméry, Renata Morresi, Kurt Devrese.

Selection from “Draft CX: Primer” Dear Navigator 1 (September 2010). Five collage poems http://www.saic.edu/dearnavigator

“Draft XC: Excess.” Talisman #38-40 (Summer-Autumn 2010): 199-203.

“Draft 109: Wall Newspaper.” Jacket 2 (posted December 14, 2011). Found at  jacket2.org/feature/drafting-beyond-ending

“Draft 108: Ballad and Gloss.” Little Red Leaves Textile Editions, 2012.

“Draft 107: Meant to Say.” Aufgabe 10 (2011): 244-249.

“Draft 106: Words.” Aufgabe 12 (2013): 145-148.

“Draft 105: Pilgrimage.” Hambone 20 (2012): 63-66.

“Draft 104: The Book.” Cambridge Literary Review II. 4 (Michaelmas 2010): 26-29.

“Draft 104: The Book” Critiphoria (April 2010).

http://www.critiphoria.org/Issue2/Rachel_Blau_DuPlessis_Issue2.pdf

“Draft 103: Punctum” VLAK 1. 1 (Sept. 2010): 100-115.

“Draft 102: One-on-One.” Cambridge Literary Review II. 4 (Michaelmas 2010): 20-25.

“Draft 101: Puppet Opera.” ESQUE 1 (September 2010). On-line as a Flash Site.

“Draft 100: Gap.” Conjunctions 53 (Fall 2009): 331-35.

“Draft 99: Intransitive.” Jacket Magazine 38 (Fall 2009).

http://jacketmagazine.com/38/duplessis-draft99redacted.shtml

“Draft 98: Canzone.” Jacket Magazine 38 (Fall 2009).

http://jacketmagazine.com/38/duplessis-draft98l.shtml

“Draft 97: Rubrics.” BlackBox Manifold (Summer 2009).

http://www.manifold.group.shef.ac.uk/

“Draft 96: Velocity” Little Red Leaves Textile Editions, 2011.

“Draft 95: Erg.” Denver Quarterly 44. 4 (2010): 14-19.

“Draft 94: Mail Art.” Jacket Magazine 37,

http://jacketmagazine.com/37/ma38.shtml

“Draft 93: Romantic Fragment Poem.” Conjunctions (Fall 2009): 330-31.

“Draft 92: Translocation.” EOAGH 5 (July 2009).

http://eoagh.com/issuefive/duplessis.html

“Draft 91: Proverbs.” 17 seconds: a journal of poetry and poetics. Fall 2008.

http://www.ottawater.com/seventeenseconds/Issue_1.htm

“Draft 89: Interrogation.” Jacket Magazine (December 2007)

http://jacketmagazine.com/35/duplessis-draft89.shtml

“Draft 88: X-Posting.”  Jacket Magazine 35 (December 2007)

http://jacketmagazine.com/35/duplessis-draft88.shtml

“Draft 87: Trace Elements.” Verse 26, nos. 1-3 (2009): 309-342.

“Draft 86: Scarpbook.” Love,War & Last Things. A Digital Bridge for Florence. www.nzepc.auckland.ac.nz/features/florence.asp

“Draft 85: Hard Copy.” Web Conjunctions. http://www.conjunctions.com

“Draft 84: Juncture.” Salt Magazine (March 2009). http://www.saltpublishing.com/saltmagazine/issues/02/text/DuPlessis_Rachel_Blau.htm.

“Draft 83: Listings.” Alligatorzine (November 2007). Number 50.

http://www.alligatorzine.be/pages/zine.html

“Draft 82: Hinge.” Conjunctions: 50. Fifty Contemporary Writers ([May] 2008): 424-428.

“Draft 81: Gap.” BlackBox Manifold (Summer 2009).

http://www.manifold.group.shef.ac.uk/

“Draft 80: Envoi.” Veer Off (England), Stephen Mooney, ed. (October 2008): 82-84.

“Draft 79: Mass Observation.” Xcp (Cross-Cultural Poetics), 18 (2007): 78-83.

“Draft 78: Buzz Track.” Special issue: “transcriptions” Fall 2008; Interval(le)s, the poetics journal from University of Liège, Belgium. Interval(le)s II.2 – III.1  (Fall 2008-Winter 2009). www.cipa.ulg.ac.be/intervalles4/21_duplessis.pdf

The first two Codas of Buzz Track were published by SUNY-Buffalo Special    Collections as their Holiday Broadside, December 2008.

“Draft 77: Pitch Content.” The i.e. Reader, Michael Ball, ed. Baltimore: Narrow House, Publishers, 2009.

“Draft 76: Work Table with Scale Models.” /nor 1 (Spring 2007): 11-20.

“Draft 75: Doggerel.” The Poker 8 (May 2007): 3-10. “Draft 75: Doggerel.” Reprinted in Dispatches from the Poetry Wars (2016).

“Draft 74: Wanderer.” Fascicle 3 (Summer 2006-Winter 2007).  www.fascicle.com/issue03/main/contents03.htm

“Draft 73: Vertigo.” Jacket 29 (Spring 2006).

http://www.jacketmagazine.com/29/duplessis-d73.html

“Draft 72: Nanifesto.” Ecopoetics nos. 6/7 (2006-09): 157-59.

“Brouillon 72: Nanifeste,” translated into French by Chris Tysh.  Alligatorzine (November 2007). Number 49.  http://www.alligatorzine.be/pages/zine.html

“Draft 71: Headlines with Spoils.” in the “Women and Eco-poetics” special feature. How2, 3. 2 (Fall 2007), on-line.

http://www.asu. edu/pipercwcenter/how2journal/vol_3_no_2/ecopoetics/index.html

“Draft LXX: Lexicon.” Conjunctions  44 (May 2005): 380-391.

“Draft 69: Sentences.” The Poker 6 (July 2005): 59-66.

“Draft 68: Threshold.” /nor 1 (Spring 2007): 7-10.

“Draft 67: Spirit Ditties.” Hambone 18 (Fall 2006): 56-68.

“Draft 66: Scroll.”  Jacket 28 (October 2005). http://www.jacketmagazine.com/28/duplessis.html

“Draft 64: Forward Slash” and “Draft 65: That.” Fugacity 05.

http://www.nzepc.auckland.ac/nz/features/fugacity/duplessis.asp

“Draft 64: Forward Slash” and “Draft 65: That.” Ur-Vox 4 (2007): 97-105.

“Draft 63: Dialogue of Self & Soul,” The Poker 4 (Summer 2004): 50-54.

“Draft 62: Gap.” Chain 11 (issue on public forms) 2004: 115-117.

“Draft 61: Pyx.”  The Chicago Review 50: 2.3.4 (Winter 2004/05): 126-136.

“Draft 59: Flash Back.” Web Conjunctions. http://www.conjunctions.com/wcidx.htm

“Draft 59: Flash back” and “Draft 60: Rebus” republished on PFS Post. www.artrecess.blogspot.com.

“Draft 58: In Situ” and “Draft 60: Rebus.” Literary Review, 48.2 (Winter 2005): 81-94.

“Draft 57: Workplace: Nekuia.” The Poker 2 (Spring 2003): 5-10.

“Draft 56: Bildungsgedicht with Apple.” Kiosk 2 (Spring 2003): 109-116.

“Draft 55: Quiptych,” Conjunctions 40 (40X40), Spring 2003: 288-292.

“Draft 55: Quiptych,” Best American Poems, 2004. ed. Lyn Hejinian. New York: Scribner, 2004: 75-79.

“Draft 54: Tilde,” X-connect 6 (2004): 25-39.

“Draft 53: Eclogue,” Hotel Amerika. I, l (2002): 48-57.

“Draft 52: Midrash.” boundary 2, 33. 1 (Spring 2006): 229-245.

“Draft 51: Clay Songs” (one section). The Philadelphia Inquirer, Monday, March 31, 2003. A13.

“Draft 51: Clay Songs,” mark(s) http://www.markzine.com/index.html

“Draft L: Scholia and Restlessness,” Chain 9: Dialogue (Summer 2002) 84-89.

“Draft 49: Turns, and Turns, an Interpretation,” Feminist Studies 30. 1 (Spring 2004):  33-44.

From “Draft 48: Being Astonished.” Swirl 1 http://www.geocities.com/swirlzine/

From “Draft 48: Being Astonished,” Bombay Gin 27 (2001): 15-18.

“Draft 47:  Printed Matter.”  Sulfur 45/46.  The Final Issue (Spring 2000): 41-43. “Draft 47: Printed Matter” and “Draft 51: Clay Songs” in Free Verse (Winter 2003).

http://english.chass.ncsu.edu/freeverse/Archives/Winter_2003/poems/R_Duplessis.htm

“Draft 45: Fire” and “Draft 46: Edge,” Hambone (Fall 2002): 124-136.

“Draft 43: Gap” and “Draft 44: Stretto,” HOW2 (vol. 2, 1). August 2003.

http://www.asu.edu/pipercwcwnter/how2journal/

“Draft 43: Gap,” Belladonna 12 (whole pamphlet), Summer 2001.

“Draft 43: Gap” dc poetry  http://www.dcpoetry.com/anth2002/duplessis.htm

“Draft 42: Epistle, Studios,” Jacket 14 http://www.jacket.zip.com.au/jacket14/duplessis.html  Co-published with Salt 13.

“Draft 42: Epistle, Studios.” translated by Renata Morresi, Smerilliana 4 ( 2004), with introduction by Morresi: 175-191.

“Brouillon 42: Epître, Studios.” Translated into French by J-P. Auxémery. Alligatorzine (November 2007). Number 47. http://www.alligatorzine.be/pages/zine.html

“Two Drafts from the Next Fold.”  ABACUS 130 (May 15, 2000): 1-18.  “Draft 41: Of   This” and “Draft 42: Epistle, Studios.”

“Draft 40: One Lyric,” First Intensity 16 (Summer 2001): 80-85.

“Draft 39: Split.” Ixnay 8 (2002). [2-11].

“Draft 38: Georgics and Shadow.” Conjunctions 35 (2000): 313-319.

“Draft 37:  Praedelle,” Backwoods Broadside, January 1999.

“Draft 36:  Cento.”  Chain 5 (Summer 1998): 69-74.

“Draft 35: Verso” in 5_Trope (on line journal). www.webdelsol.com/5trope/5T 10.htm Nominated for a Pushcart Prize.

“Draft 34:  Recto.  Gare du Nord 2/2 (1999): 8-9. “Draft 34: Recto.” (reprint) Shirim: A Jewish Poetry Journal. Double issue 32.2 and 33.1 (2014-2015): 35-40.

from “Draft 33:  Deixis.”  kenning Vol. 2, 2 (Summer 1999): 23-30.

from “Draft 33:  Deixis.”  Xcp 4 (Cross-Cultural Poetics), 1999: 46-50.

“Draft 32:  Renga”  (66 sections of 100). Hambone 14 (Fall 1998): 78-92.

“Draft 32:  Renga” (34 sections of 100).  Conjunctions 1998 (special 30th  anniversary issue): 159?166.

“Draft 32:  Renku” (6 sections). American Poetry Review’s Philly Edition, October 1, 1997: 14.

“Brouillon XXX: Fosse,” Translated into French by Chris Tysh.  Alligatorzine (November 2007). Number 48. http://www.alligatorzine.be/pages/zine.html

“Draft 29:  Intellectual Autobiography,” Chain 3 (May 1996):

From “Draft 27:  Athwart.”  Poetry New York 9 (Winter 1996/Spring 1997): 73. “Draft 26:  M-m-ry,” The Iowa Review (Fall 1996): 56?59.

“Draft 25:  Segno,” West Coast Line 17 (Fall 1995): 122-125.

“Draft 24:  Gap,” Grand Street (Fall 1995): 172-176.

Sections 2-6 from “Draft 23:  Findings,” Common Knowledge (Fall 1995): 164?168.

Sections 9-10 from “Draft 23:  Findings,” The Capilano Review, Series 2, 17/18 (January 1996) (special Robin Blaser issue): 18-19.

“Draft 22:  Philadelphia Wireman,” Hambone 12 (Spring 1995): 110-113.

“Draft 23:  Findings” (Sections 11-13 and 21). Sulfur 37 (Fall 1995): 125-128.

“Draft 23:  Findings” (Sections 16 and 17). Lower Limit Speech:  a newsletter in poetics #11 (1995): 7-8.

“Draft 21:  Cardinals,” Chelsea 57 (1994): 82-88, ed. Barbara Guest.  A section also printed in The World #50 (1995): 103-105.

“Draft 20:  Incipit,” Parataxis 6 (1994): 14-17.

“Draft 19:  Working Conditions,” Hot Bird Mfg, vol. 11, no. 14 (October 1993): 10 pp.

“Draft 19:  Working Conditions,” Mandorla: Nueva Escritura de las Américas/New Writing from the Americas (1995:): 94-103.

“Draft 15:  Title,” “Draft 16:  Little,” “Draft 17:  Unnamed,” “Draft 18:  Traduction,” Sulfur 32 (Spring 1993): 41-63.

“Draft 14:  Conjunctions,” TO 1, 1 (July 1992): 78-84.

“Draft 13:  Haibun,” Dark Ages Clasp The Daisy Root #7 (April 1992):  39?44.

“Draft 12:  Diasporas,” Sulfur 29 (November 1991): 52-58.

“Draft 11:  Schwa,” Grand Street 39 (Nov. 1991): 26-33.

“On Drafts:  A Memorandum of Understanding” and “Draft 11:  Schwa,” in Onward:  Contemporary Poetry and Poetics, ed. Peter Baker.  New York:  Peter Lang Publishing, Inc., 1996: 143-162.

“D,” “K,” and “N,” from “Draft X:  Letters,” Aerial 6-7 (Nov. 1991): 61-62.

“O” from “Draft X:  Letters,” Talisman:  A Journal of Contemporary Poetry and Poetics 4 (Spring 1990), 44.

“L” and “X” from “Draft X:  Letters,” The Women’s Review of Books, VIII, 10/11(July 1991): 42.

“Draft 9:  Page,” Conjunctions 15 (1990): 243-247. Reprinted 1997 on the Web Page of Conjunctions. www.conjunctions.com

“Draft 8:  The” and “Draft 9:  Page,” ABACUS 44 (August 1989), 13 pp.

“Draft 7:  Me,” NOTUS:  New Writing 4, 1 (Spring 1989): 39-41.

“Draft 7:  Me,” 6ix I, 1 (Spring 1991): 4-6.

“Draft 6:  Midrush,” Temblor 7 (1988): 50-55.

“Draft 6:  Midrush,” a selection of the essay “Otherhow” (from The Pink Guitar), and “Some Notes on Drafts,” in Dwelling in Possibility:  Women Poets and Critics on Poetry, eds. Yopie Prins and Maeera Shreiber.  Ithaca:  Cornell University Press, 1997: 327?343.

“Trouée” [Draft 5: Gap], Action Poétique 136 (Automne 1994): 15?19. Traduction collective Royaumont.

“Draft 5:  Gap,” Conjunctions 13 (1989): 40-44.

“Draft 4:  In,” Mandorla I, 1 (Spring 1991): 64-68.

“Draft 3:  Of,” Sulfur 20 (Fall 1987): 23-27.

“Draft 1:  It” and “Draft 2:  She,” Temblor 5 (1987): 22-33.

 

 

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